Soap-Opera Schools
By Trent Provo
Doctoral Student
Indiana State
University
Principal, Meadowlawn
Elementary
Twin Lakes School
Corporation
&
Ryan Donlan
Assistant Professor
Department of
Educational Leadership
Bayh College of
Education
Indiana State University
Indiana State University
Soap
operas have been airing in the United States for well over fifty years. Most have the following in common: Love
triangles, outlandish plots, over-the-top acting, and last, but not least, DRAMA.
What
is it that makes these programs so popular that people will watch them for half
a century? Is it that they allow people to escape from their everyday lives and
experience a fantasy world? Do viewers
enjoy the entertainment value of the plot lines? Or could it be the drama?
Soap
operas are a lot like some of our schools, it seems.
No
single organization is immune to drama and its effects.
In
their book, Beyond Drama: Transcending
Energy Vampires, Dr. Nate Regier and Jeff King (2013) define drama as
"the pattern of habitual and predictable roles that cover up our best
selves, justified by myths, which move us further away from solutions, healthy
relationships, and effectiveness" (p. 26). Drama invites us to put on
figurative masks and play roles that are certainly not representative of our
best selves.
When
drama takes place in schools, it leads to a decrease in productivity, morale,
and overall effectiveness, not to mention time wasted by principals who are
trying to make sense of it all while working to diffuse it.
Let's
take a look.
Teacher
A: A good teacher. His students are motivated; they achieve above the state
average on state assessments and show above-average academic growth. He is dedicated to the school’s
mission and champions the cause of the at-risk student. At times, however, he will push his beliefs
about classroom management and best practice upon others, and when school
leadership does something that he would consider shortsighted, he will not
hesitate to hold court in the teachers lounge.
At times, his tone comes across
as preachy, as if he were saying, "Do you mean to tell me, given the fact
that we offered our input, that it was completely discounted? Where’s the commitment to
the faculty!?" He has been known from
time to time to sidebar with parents at the local Walmart and offer critiques
of their children’s current teachers. Every so often, he
looks for the faults in others and at times, forsakes others for having a lack
of commitment.
Teacher
B: A good teacher. Her students are usually at or above the
state average on state assessments and show typical growth. She cares about her students and forms
relationships with students and parents.
She considers her students “her flock,”
and at times will over-adapt to them when they are misbehaving. While in distress this teacher acts as a
victim. She droops around on some days,
not looking as well-accessorized as she does on others, almost as if someone
has hurt her feelings. She appears down
on herself when things aren’t going her way,
and often says that she deserves what she gets. She bemoans how hard she works, yet at times
she feels that nothing she ever does is good enough.
Teacher
C: A good teacher. Students are performing and love her
class. In fact, she is the chairperson
of the building’s Teacher Assistance Team. Oftentimes, when other teachers are having
problems with students, she will help them with strategies that she feels will make
a difference. Yet at times, she’ll
go too far. She’ll
spend her preparation periods in other teachers’ classes helping
supervise off-task students. She’ll
even help those students complete their assignments, taking the responsibility
off of their shoulders. So that teachers
can have more planning time, she’ll even offer to
take their classes or their extra-duty assignments so that they have more time
to work on curricular alignment or pacing guides. She’s the peace-maker
in the teachers lounge and one who often will quietly sweep conflict under the
rug by placating as many people as she can, instead of inviting others to be
accountable.
In
each of the descriptions above, the teachers respond differently to
distress. One is a Persecutor; another
is a Victim, and a third is a Rescuer. Regier
& King (2013) might concur, per the fascinating discoveries of Stephen
Karpman that they noteded in their book. In our example, each of these teachers handles
his or her distress in a different way, each as part of Karpman’s
Drama Triangle.
What
does this cycle of drama mean for school leaders?
Imagine
if these teachers could avoid this sort of distress, or at least provide for
their own needs more effectively so that they would not allow distress to
affect their teaching. Kahler (2008)
offered tools that a school leader can use to help with this. The most
important thing to consider is that we as school leaders must focus on people.
In doing so, we can then recognize drama and help to put an end to it. Better relationships allow for educational
effectiveness, critical in successful schools.
Teachers
need to be as close to their best selves as they can be, everyday. They owe it to their students; they owe it to
themselves. If workers at a factory face drama and their effectiveness suffers,
then they could produce faulty products. These products, albeit substandard and
at times, even unsafe, can be recalled by the manufacturer.
If teachers face drama and are less effective,
can we recall the students? Do they have
a second chance at market dominance?
We
all know the answer.
Schools
are creating a product that our country depends on more than anything
else. And on the way to becoming
economically competitive and socially responsible, our students are relying
upon us as both clients and customers.
Is a daily Soap Opera the “script”
that students arrive at school to purchase?
As
school leaders, once we recognize drama, we can use appropriate tools for human
relations that we have at our disposal (Kahler, 2008). Our first step is to recognize the
personalities of those involved in the drama, as well as the roles our staff members
may play in their own Academy Award-Winning Performances. The next is to communicate openly and
honestly with our staffs. Regier &
King (2013) noted that this is being compassionate
with them.
The
way these messages are delivered is often more important than the messages
themselves. With this in mind, it could
be said that one’s channel of communication (Kahler,
2008) can help change the channel on
any given day’s hourly broadcast.
References
Kahler, T. (2008). The process therapy model: Six personality
types with adaptations. Little Rock, AR: Taibi Kahler Associates.
Regier, N., &
King, J. (2013). Beyond drama:
Transcending energy Vampires. Newton, KS: Next Element Publishing.
_______________________________________________________________
Trent Provo and Ryan Donlan believe
DRAMA is quite influential in student and staff underperformance today in our
nation’s schools. They wish to invite
K-12 education in America to move from where it is to an even better place. If you would like to have a conversation with our
authors, please feel free to contact them at trent.provo@sycamores.indstate.edu or ryan.donlan@indstate.edu.